Psudo wrote:
Zipperfish, why are you so dedicated to comparing the $250 million for Canadian art to the $700 billion for the US financial bailout? One is annual while the other is a one-time emergency response. One is in Canada and the other is in the USA. One relates to an industry that is, by definition, a luxury, while the other refers to the financial sector which is imperative to the financial operation of every other sector of the economy. Even though I have no problem with $250 million for the arts and a HUGE problem with the financial bailout, I can easily see that there's no reasonable comparison here. Why not randomly compare that $250 million to some other huge number - the speed of light in meters per second, for example?
Well actually, I was trying to sat with apples and apples here. I compared the 700 billion because I believe that the "piss christ"--the work of "art" raised by Hyperion was American and funded by the NEA. I've tried to use Canadian comparison with people discussing Canadian art.
I don't think the comparison is that perverse. What I think is perverse is to complain about a pittance given to artists when there's that kind of money being given away to banks (or, in Canada, to teh automotive sector, for example). It's like a cop giving a ticket for jaywalking while a guy is getting mugged across the street. Although, I do think I've made my point and should move along now.
I suppose some conservatives constantly raising the "piss christ" or (in Canada) the "shit dress" is the same as some liberals raising the luxury retreat taken by AIG top sellers right after their bailout--it deliberately raises the worst in a disingenuous effort to slag the whole sector.
Part of it is personal. I think art is a beautiful thing. As an agnostic myself, it's a way for me to connect with something divine. So I guess I get personally offended when someone debases art to the "piss christ" level. Maybe the same way a Chirstian feels when he sees a crucifix in a jar of urine.