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PostPosted: Mon Jan 09, 2017 10:52 am
 


$1:
Russell Smith: Mariah Carey’s New Year’s debacle reveals how we accept falsehood

RUSSELL SMITH
Special to The Globe and Mail
Published Wednesday, Jan. 04, 2017 12:42PM EST
Last updated Wednesday, Jan. 04, 2017 5:39PM EST

Merriam-Webster just declared the word of the year for 2016 to be surreal. This is far too subtle a concept to be appropriate. The more suitable word for the year is simply unreal. As in false.

Our taste in art and in spectacle now accepts and even revels in a certain kind of falsehood. A few days ago, on New Year’s Eve, the great celebrity and sort-of singer Mariah Carey humiliated herself with an obvious lip-synching gone wrong in Times Square, just before midnight, while being televised internationally to an audience of millions. Or rather, she didn’t feel humiliated, and nobody humiliated her; media repeated her nonsense story about a technical malfunction – someone else was blamed – with politeness. The reports on the incident had an embarrassed, reluctant quality. Nobody wants to spoil the fun, especially of a feel-good event such as New Year’s Eve. She’s still going to be popular; she is famous and sexy. She has had some of the usual celebrity lifestyle troubles. We are sympathetic to that.

If celebrities are our new gods, then they are pagan gods –frequently in trouble, mischievous. They remain gods whatever their misdeeds. The star of a reality-TV show, for example, can easily be forgiven for making appalling remarks about assaulting women, for he is a god; the issue is not right or wrong, but his status, and his narrative. And we are so used to the idea of a reality-TV show being not exactly real that we also accept the idea that a live performance is not exactly live.


Who cares if Mariah Carey can sing? Or even wants to? We have her records and we would rather just hear those played at extremely loud volume, and see the dancing. Nobody’s career gets ruined by these things any more – not even by outright lying.

If you watched, you saw that Carey got up to mouth her first song and for some reason the vocal track did not play. (I could almost see the frantic techie at his computer, clicking, cursing, clicking.) So she danced around and murmured apologies. The vocal came up on the next track and she lip-synched rather half-heartedly; there were passages of several bars in which she just stopped pretending. Her people later released an explanation: She couldn’t hear the “backup vocals” in her earpiece. This story is nonsensical even to lay people: there were stage monitors clearly visible in front of her and to the side. She could hear, all right. She just didn’t want to sing.

The story died within 24 hours because it is not that interesting: Everybody knows that Mariah Carey does not like to sing in public very much. The Internet bubbles with clips of “Funny Mariah Carey Lip Synch Fails” or “How to tell when Mariah Carey is lipsynching”and “Mariah Carey Can’t Sing Any More” – compilations of her voice cracking or failing when she actually tries.

Her “Elusive Chanteuse” performance in Tokyo in 2014 is perhaps the best-preserved evidence of a failing voice: she sounds, for long moments there, off-key and scratchy, like the voice of, well, a non-singer.

She has particular difficulty attaining the falsetto squeak or “whistle” sound that made her famous early on. We’ve known this for a long time. We’re okay with it.

When did this shift happen? It certainly hadn’t happened in 1990, when R&B singing duo Milli Vanilli turned out to be not singing at their concerts (or even on their album). Their disgrace was immediate and drastic. They were sued, their Grammy was withdrawn. They never recovered.

How earnest we all were in 1990! How we took seriously this idea of artistic originality, of real talent as opposed to manufactured façade – as if that distinction were at all meaningful!

In 1991, Whitney Houston lip-synched the U.S. national anthem at the Super Bowl and it was kept a deep secret until 2001, when a producer revealed that they never would have risked a live performance at such a important event. Too much could go wrong.

By 2001, this was accepted with a shrug. And by 2009, singer Jennifer Hudson lip-synched the same anthem at the same event and the organizers were up front about it from the start.

“There’s too many variables to go live,” pregame show producer Rickey Minor told ABC News at the time. “I would never recommend any artist go live because the slightest glitch would devastate the performance.”

Now, Mariah Carey’s fans are okay with her taking a very large sum of money for standing up on a stage at the biggest televised pop music event this year since the Super Bowl and not singing. And then lying about it.

Just as another set of fans was okay with a presidential candidate’s wife giving a plagiarized speech. A little embarrassing – funny, really – but not significant, not significant enough to cause doubt in the candidate’s machinery, because content itself is not significant, surface is.

There is of course a parallel rise in a longing for the authentic. A longing for handwritten letters and acoustic guitars and garden-raised greens and vinyl records. This was detailed in David Sax’s 2016 book The Revenge of Analog: Real Things and Why They Matter. It is a book about nostalgia as much as anything else. And it has to be said that this cultural current really belongs to the sophisticated: to the educated and urban. To the class who voted Democrat.

But the popular acceptance of the inauthentic, the unreal, the idea that spectacle is not mere packaging but valuable in itself, this too is sophisticated: it is the concretization of difficult French philosophy from the 1970s, it is the result of the intensive media exposure that has made us both jaded and savvy, at once skeptical and cynical. It is not that we have become gullible, merely knowing.


http://www.theglobeandmail.com/arts/mus ... e33489205/


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PostPosted: Mon Jan 09, 2017 11:05 am
 


What about those of us who didn't hear about it, and don't give a shit what entertainers do when they aren't entertaining us?


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PostPosted: Mon Jan 09, 2017 11:11 am
 


No one cares because some people are finally starting to see what a bunch of entitled
xxxxx the rich and famous really are, and just how disconnected they are from real life.
Same with these academic lieberals are their retarded idiocy.

We can now see people opening their eyes to the fact their politicians
really don't give a fuck about them either.


Yet both groups love to shout and moralize how 'we' should act.

Kill them all, let God sort 'em out. :twisted:


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PostPosted: Mon Jan 09, 2017 11:13 am
 


DrCaleb DrCaleb:
What about those of us who didn't hear about it, and don't give a shit what entertainers do when they aren't entertaining us?


[B-o]


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PostPosted: Mon Jan 09, 2017 11:14 am
 


The article isn't really about Mariah or her NYE incident. It's a comment on the shallowing of society


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PostPosted: Mon Jan 09, 2017 11:25 am
 


BeaverFever BeaverFever:
The article isn't really about Mariah or her NYE incident. It's a comment on the shallowing of society


I think the best example of that was an interview I heard with the guy who ran a blog and who created a bunch of false news items regarding Trump and the election. He made satire stories like the one about people who were paid by Hillary to rough people up at Trump rallies. He said the stories were meant to show the 'alt-right' how gullible they were at accepting the most outlandish bullshit. He said they ended up backfiring on him in Trump's favour, because the satire was revealed in the second paragraph, but the 'alt right' rarely read past the headline and ended up believing every word of his dreck.


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PostPosted: Mon Jan 09, 2017 11:30 am
 


I'm on board with the story save for this part:

$1:
This story is nonsensical even to lay people: there were stage monitors clearly visible in front of her and to the side. She could hear, all right. She just didn’t want to sing.


In the din of Times Square on New Year's Eve I can imagine the stage monitors being indiscernible even when set to '11'.

Recall that the Beatles reported not being able to hear themselves on the stage monitors in the Ed Sullivan theatre and that was with just a crowd of around 1500 screaming girls.

It stands to reason that 1.5 million people might be loud enough to drown out mere stage monitors.


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PostPosted: Mon Jan 09, 2017 11:32 am
 


Example: http://abcnews.com.co/donald-trump-prot ... o-protest/

$1:
Donald Trump Protester Speaks Out: “I Was Paid $3,500 To Protest Trump’s Rally”

. . .

After I was hired, they told me if anyone asked any questions about who I was with or communicated with me in any way, I should start talking about how great Bernie Sanders is.” Horner continued, “It was mostly women in their 60’s at the interview that I went to. Plus, all the people that I communicated with had an AOL email address. No one still has an AOL email address except people that would vote for Hillary Clinton.”



Completely believable!

And of course, the icon of professionalism and integrity had it's own fact checking expedition prove it to be true!

http://www.breitbart.com/live/third-pre ... p-rallies/


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PostPosted: Mon Jan 09, 2017 11:41 am
 


b


Last edited by Lemmy on Mon May 01, 2017 9:27 am, edited 1 time in total.

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PostPosted: Mon Jan 09, 2017 12:41 pm
 


BeaverFever BeaverFever:
The article isn't really about Mariah or her NYE incident. It's a comment on the shallowing of society


Now that's something I can agree with. [B-o]


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PostPosted: Mon Jan 09, 2017 1:41 pm
 


Say what you will about Mariah Carey, but that girl can definitely sing.


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PostPosted: Mon Jan 09, 2017 1:55 pm
 


All I want from Carey is for her to take her top off and set those puppies free. They need fresh air, dammit! :twisted:

The article is generally correct. This diva-fication of pop culture, from the current pop singers through to the Kartrashians, is fairly despicable. It's just another item on the lengthening list of things our ridiculous society shouldn't be proud about. Too much going wrong everywhere for the irresponsible media to spend so much time on the petty concerns of celebrity airheads.


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PostPosted: Mon Jan 09, 2017 2:03 pm
 


Thanos Thanos:
Too much going wrong everywhere for the irresponsible media to spend so much time on the petty concerns of celebrity airheads.
The media has pretty well reduced itself to breathlessly following and reporting on the twitter flare ups as if they are real news. So you wind up going wtf is going on,what's the deal?


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PostPosted: Mon Jan 09, 2017 2:44 pm
 


Is the reality now reflecting South Park or is South Park now reflecting the reality? I heard the terrified screams of a billion falling IQ points and was helpless to stop it. :|


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PostPosted: Mon Jan 09, 2017 2:47 pm
 


Your everlasting summer
You can see it fading fast
So you grab a piece of something
That you think is gonna last
But you wouldn't know a diamond
If you held it in your hand
The things you think are precious
I can't understand
Are you reelin' in the years
Stowin' away the time
Are you gatherin' up the tears
Have you had enough of mine
Are you reelin' in the years
Stowin' away the time
Are you gatherin' up the tears
Have you had enough of mine
You been tellin' me you're a genius
Since you were seventeen
In all the time I've known you
I still don't know what you mean
The weekend at the college
Didn't turn out like you planned
The things that pass for knowledge
I can't understand
Are you reelin' in the years
Stowin' away the time
Are you…


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